LIERENFELD In the Red Hall, a group is preparing the ground for a meeting about a landscape that is as factual as it is mystical. Millions of years ago, the sea lay right next to Lierenfeld. Today, a mustard grass meadow grows in a former car repair shop. Some changes happen gradually, others suddenly. Rotter-dam Presenta uncover invisible and imaginary topographies in LIERENFELD. Three performers and three musicians sound out the terrain, break it open, listen for hidden depths. Their feelers are stretched out into all temporalities and the contradictory narratives of a landscape.

Here they also encounter Outre Nuit, a work by long-time accomplice Clara Lévy. In the dark, she measures the space and its resonances with the sound of her violin: Modern and contemporary compositions explore the spatial landscape of Lierenfeld from changing positions. A soundscape that is entirely dedicated to listening as well-being and exchange between the musician, her instrument, the space and the audience.

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