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Vor Millionen von Jahren lag das Meer direkt neben LIERENFELD. Heute wächst eine Senfgraswiese in einer ehemaligen Autowerkstatt. Manche Veränderungen passieren allmählich, andere plötzlich. Rotterdam Presenta legen in LIERENFELD unsichtbare und imaginäre Topografien frei. Drei Performer:innen und drei Musiker:innen loten das Terrain aus, brechen es auf, horchen nach versteckten Untiefen. Ihre Fühler sind ausgestreckt in alle Zeitlichkeiten und die widersprüchlichen Erzählungen einer Landschaft.\n\nSie treffen hier auch auf OUTRE NUIT, eine Arbeit der langjährigen Komplizin Clara Lévy. Im Dunkeln vermisst sie mit dem Klang ihrer Geige den Raum und seine Resonanzen: Moderne und zeitgenössische Kompositionen loten von wechselnden Positionen die Lierenfelder Raumlandschaft aus. Eine Klangwelt, die sich ganz dem Hören als Wohlergehen und Austausch zwischen der Musikerin, ihrem Instrument, dem Raum und den Zuhörer:innen widmet.","5729b49bf43d0","block","normal","0228407a289b",[],{"_type":18,"_key":33,"value":34},"en",[35,43,51],{"style":29,"_key":36,"markDefs":37,"children":38,"_type":28},"41ea33d85b89",[],[39],{"_type":24,"marks":40,"text":41,"_key":42},[],"LIERENFELD In the Red Hall, a group is preparing the ground for a meeting about a landscape that is as factual as it is mystical. Millions of years ago, the sea lay right next to Lierenfeld. Today, a mustard grass meadow grows in a former car repair shop. Some changes happen gradually, others suddenly. Rotter-dam Presenta uncover invisible and imaginary topographies in LIERENFELD. Three performers and three musicians sound out the terrain, break it open, listen for hidden depths. Their feelers are stretched out into all temporalities and the contradictory narratives of a landscape.","f417b64247470",{"markDefs":44,"children":45,"_type":28,"style":29,"_key":50},[],[46],{"_type":24,"marks":47,"text":48,"_key":49},[],"Here they also encounter Outre Nuit, a work by long-time accomplice Clara Lévy. In the dark, she measures the space and its resonances with the sound of her violin: Modern and contemporary compositions explore the spatial landscape of Lierenfeld from changing positions. A soundscape that is entirely dedicated to listening as well-being and exchange between the musician, her instrument, the space and the audience.","c338c3b4354f0","6ef7f15730ae",{"markDefs":52,"children":53,"_type":28,"style":29,"_key":58},[],[54],{"text":55,"_key":56,"_type":24,"marks":57},"Translated with DeepL.com (free version)","55d6378a62cd0",[],"3f166068b5bb","2024-09-20T08:28:29Z","kHe6Ehb4iScGOS2PwggJWZ","7f050296-431b-4d4c-84aa-6e767512b95f",[63],{"_key":19,"value":64,"_type":65},"LIERENFELD Outre nuit","internationalizedArrayStringValue",{"_type":67,"asset":68},"image",{"_ref":69,"_type":70},"image-f63512d94946c75c5fa919fc1560b1a86e23a18f-1340x572-jpg","reference",{"slug":72,"trailer":74,"year":75,"_createdAt":76,"_rev":77,"_id":78,"title":79,"image":82,"_type":15,"description":85,"_updatedAt":113},{"current":73,"_type":7},"e-p-i-c-exploring-plastic-inevitable-concert","https://vimeo.com/738929696/93380cba90","2022","2024-09-20T08:29:09Z","kHe6Ehb4iScGOS2PwhMtUD","5c95ffb8-54f6-453c-a98a-c7ae72bb9680",[80],{"_type":65,"_key":19,"value":81},"E.P.I.C. Exploring Plastic Inevitable Concert",{"_type":67,"asset":83},{"_ref":84,"_type":70},"image-613d4159bc2913f76feee72ca4a14d2eba3f98e0-1340x1873-jpg",[86,96],{"_type":18,"_key":19,"value":87},[88],{"children":89,"_type":28,"style":29,"_key":94,"markDefs":95},[90],{"_type":24,"marks":91,"text":92,"_key":93},[],"Eine synthetische Schicht zieht sich durch Museen und über Bühnenböden, durch Wirtschaft und Politik: Rotterdam Presenta inszenieren in ihrer Konzert Performance Plastik als Ikone in Kunst, Popkultur und Alltag. E.P.I.C. steht für EXPLORING PLASTIC INEVITABLE CONCERT. Der Titel beschreibt die Verschmelzung von Plastik mit unserem gesellschaftlichen und kulturellen Leben. Er referiert auch auf eine in den 1960er Jahren von Andy Warhol initiierte Eventserie – aus der Zeit also, in der Plastik den ultimativen Aufstieg zur Königin der Materialien erreichte. E.P.I.C. zelebriert die letzten Ausläufer dieses Materialhypes und inszeniert Plastik als mächtigen Protagonisten auf diesem Planeten – bevor es in Partikel zerfällt und sich auf dem Meeresboden zur Ruhe setzt.","c3f77b1b16770","9a000c48af81",[],{"_key":33,"value":97,"_type":18},[98,106],{"children":99,"_type":28,"style":29,"_key":104,"markDefs":105},[100],{"marks":101,"text":102,"_key":103,"_type":24},[],"A synthetic layer runs through museums and across stage floors, through business and politics: in their concert performance, Rotterdam Presenta stage plastic as an icon in art, pop culture and everyday life. E.P.I.C. stands for EXPLORING PLASTIC INEVITABLE CONCERT’. The title describes the fusion of plastic with our social and cultural life. It also refers to a series of events initiated by Andy Warhol in the 1960s - from the time when plastic achieved the ultimate rise to become the queen of materials. E.P.I.C. celebrates the last fringes of this material hype and stages plastic as a powerful protagonist on this planet - before it disintegrates into particles and comes to rest on the seabed.","073cfd0871d40","0a114ec8d78a",[],{"_key":107,"markDefs":108,"children":109,"_type":28,"style":29},"486127cb743d",[],[110],{"_type":24,"marks":111,"text":55,"_key":112},[],"c49415bf52d10","2024-09-23T13:12:46Z",{"_type":15,"_id":115,"year":75,"_createdAt":116,"trailer":117,"image":118,"_rev":121,"title":122,"slug":125,"description":127,"_updatedAt":148},"9ccdebcd-563b-4c38-aaed-0bca52ee99c7","2024-09-20T08:29:30Z","http://theplasticarchive.org",{"asset":119,"_type":67},{"_type":70,"_ref":120},"image-52b20857f1aa36d078bb9ee3603ab4616322d9fd-1340x720-png","jiVEIVktaNqTyMHhyIPmoA",[123],{"value":124,"_type":65,"_key":19},"THE PLASTIC ARCHIVE",{"current":126,"_type":7},"the-plastic-archive",[128,138],{"_type":18,"_key":19,"value":129},[130],{"style":29,"_key":131,"markDefs":132,"children":133,"_type":28},"54a46afdcde5",[],[134],{"marks":135,"text":136,"_key":137,"_type":24},[],"Wir sind umgeben von einem Stoff, dem wir uns nicht mehr entziehen können. Plastik hat sich in rasanter Geschwindigkeit ausgebreitet und mit der vorhandenen Materie verflochten. Die Produktion von synthetischen Materialien wie dem Hartplastik PVC hat unser Verständnis von Ökonomie, Ästhetik und sozialem Miteinander geformt und verändert.\n\nPlastik ist untrennbar mit unserer Erfahrung von Alltag verbunden, es ist ein hartnäckiges Molekül. Seit Jahrzehnten bringt es sich aktiv in Erdkreisläufe ein. Es taucht an den tiefsten Stellen des Pazifiks auf, als Prothesen im menschlichen Körper, als Partikel in lebender Materie. Plastik wurde zur Ikone in Design und Popkultur, zur Schallplatte, zur Kreditkarte, zum Werkstoff der Automobilindustrie. Nun drängt es sich unter die Erdoberfläche: Einzelne Gesteinsschichten beginnen, das Plastik zu umschließen, und so läutet die Ergeschichte schon das nahende Ende der Plastik-Ära ein.\n\nDas Ende vom Plastik muss gefeiert werden: Die Performance-Plattform Rotterdam Presenta lädt dazu ein, dem Plastik zu gedenken und seinen Spuren zu folgen. Sie graben in der synthetischen Schicht, die sich im Alltag und auf dem Planeten abgelagert hat, und versammeln die Fundstücke in einem digitalen Archiv. THE PLASTIC ARCHIVE versammelt Objekte aus Plastik und ihre Geschichten, ihre Klänge und ihre großen Auftritte. Und es versammelt Interviews mit Expert:innen aus Plastikproduktion und Archäologie, Kunst und Wirtschaft. Rotterdam Presenta lädt ein zum gemeinsamen Stöbern im Archiv und zu einem Tauchgang in die tieferen Schichten der synthetischen Erdgeschichte.","e5421a8687dd0",{"_type":18,"_key":33,"value":139},[140],{"markDefs":141,"children":142,"_type":28,"style":29,"_key":147},[],[143],{"_type":24,"marks":144,"text":145,"_key":146},[],"We are surrounded by a substance that we can no longer escape. Plastic has spread at rapid speed and intertwined with existing matter. The production of synthetic materials such as the hard plastic PVC has shaped and changed our understanding of economy, aesthetics and social interaction.\n\nPlastic is inseparable from our experience of everyday life; it is a persistent molecule. It has been actively contributing to the earth’s cycles for decades. It appears in the deepest parts of the Pacific Ocean, as prostheses in the human body, as particles in living matter. Plastic has become an icon in design and pop culture, a record, a credit card, a material in the automobile industry. Now it is pushing its way beneath the earth’s surface: individual layers of rock are beginning to enclose the plastic, and so the history of the earth is already heralding the approaching end of the plastic era.\n\nThe end of plastic must be celebrated: The performance platform Rotterdam Presenta invites us to commemorate the plastic and follow its traces. They dig into the synthetic layer that has been deposited in everyday life and on the planet and gather the finds in a digital archive. THE PLASTIC ARCHIV gathers objects made of plastic and their stories, their sounds and their great performances. And it brings together interviews with experts in plastic production and archaeology, art and business. Rotterdam Presenta invites you to rummage through the archive together and to dive into the deeper layers of synthetic earth history.","6c55e88fd38e0","ec3fa0b0ae9d","2024-10-25T08:33:47Z",{"_rev":150,"_id":151,"trailer":152,"_updatedAt":153,"slug":154,"image":156,"_type":15,"title":159,"year":75,"_createdAt":162,"description":163},"0xZRvbFKP9vtE7zXTZpZdE","2e00b62c-4b7a-4c32-b0c8-5a6af0c37413","https://vimeo.com/530698705","2024-09-23T13:26:04Z",{"current":155,"_type":7},"gravity-pieces",{"_type":67,"asset":157},{"_ref":158,"_type":70},"image-ee380f02e47d279f6df1ab89621eef99eac52a6b-1340x753-jpg",[160],{"_key":19,"value":161,"_type":65},"GRAVITY PIECES","2024-09-20T08:29:49Z",[164,174],{"_type":18,"_key":19,"value":165},[166],{"markDefs":167,"children":168,"_type":28,"style":29,"_key":173},[],[169],{"_type":24,"marks":170,"text":171,"_key":172},[],"“complicity with active materials” lautet die Recherche-Serie von Rotterdam Presenta in der sie sich der Performativität von Materialien, Oberflächen und Objekten widmen. Winzige Partikel und schwere Brocken, feine Stoffe und klebrige Körper – sie alle bilden eine widerspenstige Unordnung oder ein Stillleben. Rotterdam Presenta untersuchen mit Mitteln von Musik und Objektkunst das Zusammenfallen von alltäglichen Dingen und Menschen: Physikalisch bewegt sich alles aufeinander zu. In einem Gravitationssystem ziehen sich die Dinge gegenseitig an - nicht, weil sie zusammenpassen, sondern weil sie in die gleiche Richtung fallen. In GRAVITY PIECES laden sie zum gemeinsamen Erproben der Schwerkraft. Körper, Plastikbecher, Heliumballons, Werkzeuge und Luftkissen fallen zusammen oder kippen kontrolliert. Sie stürzen übereinander und überschreiben nach und nach den Raum.","f84893abe7a60","ce5dd00d68e1",{"_type":18,"_key":33,"value":175},[176],{"_key":177,"markDefs":178,"children":179,"_type":28,"style":29},"2b613d1dad4a",[],[180],{"_type":24,"marks":181,"text":182,"_key":183},[],"Everything moves towards everything else. This is the doing of one of the fundamental forces in physics, gravitation, or mass attraction. It causes things to effect mutual attraction – not because they fit together well, but rather because they are falling in the same direction. Tiny particles and heavy lumps, fine fabrics and sticky bodies – they all coalesce into a reluctant disarray or a still life. Rotterdam Presenta moves non-human actors into the centre of their artistic work. In GRAVITY PIECES, they combine physics and poetry. With the means of choreography, music, and object art, they put everyday objects and human bodies into motion and watch the powers they unfold. They found the fictitious “Aerobic Life Institute”, inviting their audience to a shared trial of gravity. Bodies, plastic cups, helium-filled balloons, tools, and air cushions fall, topple, or tumble over each other, in time overwriting the room.","f9982ac3d30e0",{"title":185,"slug":188,"_id":190,"_updatedAt":191,"trailer":192,"image":193,"_rev":196,"year":197,"_createdAt":198,"_type":15,"description":199},[186],{"_type":65,"_key":19,"value":187},"accident exercises",{"current":189,"_type":7},"accident-exercises","92292938-1079-4c48-8eec-479f40f853ee","2024-09-20T08:38:04Z","https://vimeo.com/565218077",{"asset":194,"_type":67},{"_ref":195,"_type":70},"image-7302ea05d265b5a95efe6d4a017a32ffb4538500-1340x893-jpg","kHe6Ehb4iScGOS2PwTulwW","2019","2024-09-20T08:31:02Z",[200,210],{"_type":18,"_key":19,"value":201},[202],{"markDefs":203,"children":204,"_type":28,"style":29,"_key":209},[],[205],{"_type":24,"marks":206,"text":207,"_key":208},[],"Ein direkter Aufprall bei:\n40 Km/h entspricht einer ungebremsten Fallhöhe aus 6 Metern\n60 Km/h entspricht einer ungebremsten Fallhöhe aus 14 Metern\n80 Km/h entspricht einer ungebremsten Fallhöhe aus 25 Metern\n\nVor jedem Unfall steht der Kontrollverlust. Und dann kommt der Aufprall, ein Moment radikaler, irreversibler Veränderung, der vorbei ist, bevor wir den Blick darauf richten. Die Performance-Plattform Rotterdam Presenta richtet im Archiv einer Versicherungsgesellschaft ein Labor für Unfallübungen ein. Sie üben den Fauxpas, den Moment der Karambolage. Was sehen wir, wenn wir die Zeit im Augenblick der Kollision anhalten? Unsere Fehler, die unsouveräne Aktion, den Moment, in dem wir schlecht aussehen und es für einen neuen Plan zu spät ist.","c29fb734c2800","3f43d73ac123",{"_type":18,"_key":33,"value":211},[212],{"_key":213,"markDefs":214,"children":215,"_type":28,"style":29},"fa5bcfe50017",[],[216,220,225,229,233,236],{"_type":24,"marks":217,"text":218,"_key":219},[],"Risk is a measure for the threat of property and health of both directly and indirectly involved persons coming from a system. The risk is measured with the help of the expectation of loss. A residual risk always remains because failure and dangerous situations can never be prevented completely. A system is called safe when the expectation of loss of the system is not bigger than the maximum of authorized loss limitation.\nIn traffic, for example, the risk is increasing in proportion to the speed of the means of transport. The force of the impact at different speeds can be explained by the corresponding drop height:\n\n","f7858789595a0",{"_type":24,"marks":221,"text":223,"_key":224},[222],"strong","40 Km/h corresponds to a free height of fall of 6 metres","f7858789595a1",{"_key":226,"_type":24,"marks":227,"text":228},"f7858789595a2",[],"\n",{"marks":230,"text":231,"_key":232,"_type":24},[222],"60 Km/h corresponds to a free height of fall of 14 metres","f7858789595a3",{"text":228,"_key":234,"_type":24,"marks":235},"f7858789595a4",[],{"_type":24,"marks":237,"text":238,"_key":239},[222],"80 Km/h corresponds to a free height of fall of 25 metres","f7858789595a5",{"_createdAt":241,"_rev":242,"_updatedAt":243,"_id":244,"title":245,"year":248,"_type":15,"slug":249,"trailer":251,"image":252,"description":255},"2024-09-20T08:31:23Z","kHe6Ehb4iScGOS2PwTtnML","2024-09-20T08:34:45Z","2f28657e-65c9-45ae-af05-0b7a724a9b6f",[246],{"_type":65,"_key":19,"value":247},"ANTHROPOSCENE","2018",{"current":250,"_type":7},"anthroposcene","https://vimeo.com/259070912",{"_type":67,"asset":253},{"_ref":254,"_type":70},"image-90700dc4d8d552b4c2a3d186e3d68fe99cfd4a32-1340x1543-jpg",[256,266],{"_type":18,"_key":19,"value":257},[258],{"_key":259,"markDefs":260,"children":261,"_type":28,"style":29},"51d498b43a38",[],[262],{"_type":24,"marks":263,"text":264,"_key":265},[],"Die Arbeit beschäftigt sich mit Möglichkeiten einer aktiven Gestaltung des Planeten im Zeitalter des Anthropozäns. Dabei nehmen wir den Begriff „experimentell“ ernst: Unser besonderes Interesse gilt dem Potenzial von künstlerischen Strategien innerhalb eines bisher ausschließlich wissenschaftlich geführten Diskurses. Bühnenbild, Choreographie und Musik sind deshalb nicht nur thematisch, sondern auch technisch durch ein Breitband-Computer-Netzwerk miteinander verbunden.\nHistorisch ist das Theater das Medium des Sozialen — die Natur erscheint in ihm lediglich als auswechselbare Kulisse. Im Zeitalter des Anthropozäns, in dem die wichtigsten sozialen Fragen Umweltfragen sind, müssen wir diese Ausschließlichkeit überdenken, wenn das Theater gesellschaftlich relevant bleiben will.","fe8c8aec5a880",{"_type":18,"_key":33,"value":267},[268],{"style":29,"_key":269,"markDefs":270,"children":271,"_type":28},"f91cff3651c8",[],[272],{"_key":273,"_type":24,"marks":274,"text":275},"0d2ba6bbdf5f0",[],"ANTHROPOSCENE investigates the possibilities of planetary control in the Anthropocene. Using technologies from artificial intelligence, the project examines the potential of artistic strategies within an exclusively scientific discourse. Rotterdam Presenta and Ensemble LINKS present an experimental music theater happening between discourse and destruction. They aim to transform the theater space into an ecosphere, a laboratory that, unlike Buckminster Fuller‘s famous spaceship earth, has at least some emergency exits. The framework, however, is the same as on the planetary scale: a closed space full of people, limited time, and uncertain results.","436fb671-565a-4b2e-ae76-2b77caa342a2",[278],{"_type":65,"_key":19},[280,291,322,334,360,381,402,414,426,457],{"_updatedAt":281,"slug":282,"year":14,"description":284,"title":286,"_rev":289,"_createdAt":281,"_type":15,"image":8,"_id":290},"2024-09-20T08:28:08Z",{"current":283,"_type":7},"breathing-together",[285],{"_type":18,"_key":19},[287],{"_type":65,"_key":19,"value":288},"Breathing 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