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Insbesondere die Bewegungsmotive aus dem Videospiel Fortnite, das es in viele Kinderzimmer geschafft hat, sind um die Welt gegangen. Der urbane Tänzer Takao Baba und seine Kompanie erforschen und entdecken, wie die Moves aus dem Netz Kindern und Jugendlichen ein Tor in die Welt des Tanzes und zu ihrer ganz individuellen Körpersprache öffnen. Die Performer:innen tauschen untereinander Bewegungen aus und zeigen, wie aus vorgegebenen Moves ihr ganz eigener Tanzstil entsteht.","block",null,{"_type":19,"_key":34,"value":35,"markDefs":32},"en",[36],{"markDefs":37,"children":38,"_type":31,"style":22,"_key":43},[],[39],{"_type":28,"marks":40,"text":41,"_key":42},[],"TikTok, Fortnite, Instagram – dance moves and trends spread like wildfire and can “go viral” overnight. In particular, movement patterns from the video game Fortnite, which has wound its way into the rooms of so many young people, have made it across the globe. Urban dancer Takao Baba and his company have investigated and identified how these internet moves can open a door to the world of dance and allow children and teens to explore their own unique body language. The performers exchange movements amongst themselves and demonstrate how a specific set of actions can evolve into a dance style of one’s own.","028f903a73f00","a94f011e7776",{"current":45,"_type":46},"boys-don-t-dance","slug",[48],{"slug":49,"latestProductions":51,"_createdAt":59,"title":60,"_type":61,"_id":62,"biography":63,"productions":100,"image":284,"_rev":338,"_updatedAt":339},{"current":50,"_type":46},"e-motion-takao-baba",[52,56],{"_ref":53,"_type":54,"_key":55},"6ef69d6e-ff40-4b4d-ba57-ec2b8960ee5d","reference","b5f7ad7e8c80",{"_ref":57,"_type":54,"_key":58},"5776b5d8-287c-48cb-82ad-964709c98d4b","7586426027cf","2024-08-20T10:56:49Z","E-Motion / Takao Baba","artist","34ad1fb6-f7d8-4365-b01b-27bc8af3a418",[64,82],{"_type":19,"_key":12,"value":65},[66,74],{"style":22,"_key":67,"markDefs":68,"children":69,"_type":31},"0c11a7c586bf",[],[70],{"_type":28,"marks":71,"text":72,"_key":73},[],"E-MOTION wurde im Jahre 2003 von Takao Baba mit anderen TänzerInnen der urbanen Tanzszene gegründet. Ziel war es den urbanen Tanz als Kunstform auf Tanz und Theater Bühnen in Deutschland zu etablieren. Das Kollektiv war in Deutschland einzigartig und gehörte zu den ersten Kompanien in Deutschland, die unterschiedliche Street Dance Stile mit zeitgenössischen Tanz zusammenführte. Mit der Produktion 2nd ID erhielt die Kompanie die Einladung zur Tanzplattform im Jahre 2008. Seitdem entstehen regelmäßig Tanzproduktionen in unterschiedlicher Konstellation.","640b4651346a0",{"children":75,"_type":31,"style":22,"_key":80,"markDefs":81},[76],{"_type":28,"marks":77,"text":78,"_key":79},[],"E-MOTION verfolgt das Ziel die Sichtbarkeit von urbanen Tänze auf Tanz und Theater Bühnen zu fördern. Der Fokus der Produktionen liegt immer auf den Künstler und Künstlerinnen der urbanen Tanzszene. Die choreografische Entwicklung bei E-MOTION erfolgt im Kollektiv. Wie auch in der Hip Hop Kultur, versucht E-MOTION immer neue Symbiosen mit unterschiedlichen Kunstformen zu schaffen.","5c31646012ba0","2836fd86c774",[],{"_type":19,"_key":34,"value":83},[84,92],{"children":85,"_type":31,"style":22,"_key":90,"markDefs":91},[86],{"_type":28,"marks":87,"text":88,"_key":89},[],"E-MOTION was founded in 2003 by Takao Baba and other dancers from the street dance scene. The aim was to establish street dance as an art form on dance and theater stages in Germany. The collective was unique in Germany and was one of the first companies in Germany to combine different street dance styles with contemporary dance. With the production '2nd ID,' the company was invited to the dance platform in 2008 in Hannover. Since then, the company has been regularly producing dance performances with various configurations.","f51306751fbc0","ae91805844de",[],{"markDefs":93,"children":94,"_type":31,"style":22,"_key":99},[],[95],{"text":96,"_key":97,"_type":28,"marks":98},"E-MOTION aims to promote the visibility of street dance culture on dance and theater stages while setting new impulses. The artistic and choreographic engagement takes place collectively. 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Ausgehend von den Bewegungsqualitäten von Kampfkünsten wie Muay Thai, Jiu-Jitsu, Karate und rituellen Praktiken wie Wai Khru stellen sie dabei die Frage nach dem Entwicklungspotenzial bestimmter urbaner Tänze. \nDie beiden Künstler betrachten das Feld der Kampfkunst mit ihrem persönlichen Wertekodex sowie Bewegungsrepertoire und beschäftigen sich mit den historischen Ursprüngen urbaner Tanzkulturen. Da diese vielfach in der afroamerikanischen Kultur liegen, setzen sie sich mit der damit verbundenen Frage nach der eigenen Rolle, Identität und Biografie auseinander. Diese sind geprägt durch die eigene südost- / ost-asiatische Familiengeschichte sowie der täglichen Arbeit und Beschäftigung mit urbanen Tanzkulturen.\nKünstlerisch-ästhetisch setzt ",{"_type":28,"marks":134,"text":108,"_key":135},[127],"fcbef16b624a3",{"_type":28,"marks":137,"text":138,"_key":139},[]," diese persönlich-biografische Auseinandersetzung auf der Bühne um: In einem gesellschaftlichen Kontext, der von Rassismus und klischeebehafteten Vorstellungen von asiatisch-diasporischem Leben in Deutschland geprägt ist, erobern sich Takao Baba und Bounracksa Phomkhoumphon die Macht zurück, die eigene Geschichte zu erzählen. Die Tänzer überprüfen und erkunden Facetten asiatischer Kultur innerhalb des urbanen Tanzes und blicken mit einem Altersunterschied von 14 Jahren aus unterschiedlichen Generationen heraus auf diese Themenfelder.","fcbef16b624a4",{"_key":34,"value":141,"_type":19},[142,156,164],{"_key":143,"markDefs":144,"children":145,"_type":31,"style":22},"6072cb367a47",[],[146,149,152],{"_type":28,"marks":147,"text":123,"_key":148},[],"8b9952185e720",{"_type":28,"marks":150,"text":108,"_key":151},[127],"8b9952185e721",{"_type":28,"marks":153,"text":154,"_key":155},[],", Takao Baba and Bounracksa Phomkhoumphon bring together martial arts and urban dance culture in one stage production. Based on the movement qualities displayed in such martial arts genres as Muay Thai, jiu-jitsu, and karate as well as in ritual practice like wai khru, they pose the question for the development potential inherent in certain urban dance styles.","8b9952185e722",{"style":22,"_key":157,"markDefs":158,"children":159,"_type":31},"80746478d7e5",[],[160],{"_key":161,"_type":28,"marks":162,"text":163},"264792269c310",[],"Both artists consider the martial arts field within their personal code of values as well as movement repertoire, dealing with the historic origins of urban dance cultures. Because those are, for the most part, rooted in Afro-American culture, they probe for the attached question for their own roles, identities, and biographies. They are characterised by their own Southeast Asian and East Asian family heritage as well as by their daily work and dealings with urban dance cultures.",{"children":165,"_type":31,"style":22,"_key":173,"markDefs":174},[166,169],{"_type":28,"marks":167,"text":108,"_key":168},[127],"8735c02b819b0",{"_type":28,"marks":170,"text":171,"_key":172},[]," translates this personal biographical exploration into an artistic aesthetic one on the stage: In a social context marked by racism and clichéd notions of Asiatic-diasporic life in Germany, Takao Baba and Bounracksa Phomkhoumphon reclaim the power to tell their own story. 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